Of all means of shutting out
experience, the wall is clearly the most adaptable.(No2)
Oil on aluminium. 2004
100x100 cm. |
Of all means of shutting out
experience, the wall is clearly the most adaptable.(No3)
Oil on aluminium.2004
100x100 cm. |
The interior is of no concern: the
façade is everything. (No2)
Oil on aluminium.2004
100x100 cm. |
Its uncertain size in not due only to
its uncertain title.(No.1)
Oil on aluminium.2005
75x75 cm. |
Its uncertain size in not due only to
its uncertain title.(No.2)
Oil on aluminium.2005
75x75 cm. |
This is a great line, but nowhere can it
be better appreciated than in a corner.
(No.5)
Oil on aluminium.2004
75x75 cm. |
Both these styles represent only a part
of our environment.(No.4)
Oil on aluminium.2005
66x33 cm. |
Geometry is one subject, architecture another, but there is geometry in
architecture. (No.3)
Oil on aluminium.2005
66x33 cm. |
Geometry is one subject, architecturea nother, but there is geometry in
architecture. (No.4)
Oil on aluminium.2005
66x33 cm. |
The occupants are allowed a limited freedom to alter the façade.(No.7)
Oil on aluminium.2005
50x50 cm. |
The occupants are allowed a limited freedom to alter the façade.(No.8)
Oil on aluminium.2005
50x50 cm. |
On first impression the composition structure appears symetrical. (No.1)
Oil on aluminium.2005
50x50 cm. |
On first impression the composition structure appears symetrical. (No.2)
Oil on aluminium.2005
50x50 cm. |
Both these styles represent only of our enviroment.(No.3)
Oil on aluminium.2005
66x33 cm. |
